3/21/2024 0 Comments Dumbo 2019 disney movies![]() There’s bad news for fans of Timothy Q Mouse, too, with the original’s rodent ringmaster reduced to a blink-and-you’ll-miss-it cameo. Unsurprisingly, little Dumbo seems a bit lost in the hubbub at times. Instead, the story is busied-up with subplots involving Alan Arkin’s cynical financier and a will-they-won’t-they? (they will) romance between Holt and Eva Green’s Parisian acrobat-turned-elephant rider. Inevitably, there’s a bit of real-life crowdpleaser PT Barnum in there too, although ‘Dumbo’ is as disappointingly short of things to say about today’s populist-hungry world as ‘The Greatest Showman’ was. Keaton tears a page from the Jack Nicholson Joker playbook with his most deliriously huge performance in years. With production designer Rick Heinrichs, he forsakes his beloved gothic touches for an art deco style that lends it all a Gatsby-esque decadence.Įven leaving aside the fan-pleasing sight of Burton’s Dark Knight and Penguin sharing the same big top, the ‘Batman’ parallels are inescapable. Here, Burton in his element, presiding over an artificial Xanadu where spectacle piles on spectacle until the whole frame groans with visual candy. ![]() When Vandevere marches the wide-eyed troupe into his vast New York amusement park, the scene is gaudy, over-the-top and green-screened within an inch of its life – and all the better for it. Then Michael Keaton’s brash entrepreneur VA Vandevere, ‘the Columbus of Coney Island’, pitches up, offering to buy the circus, and the movie blazes into life. Even a cast of oddball circus regulars – strongman, mermaid, snake charmer etc – fails to fire his imagination. In truth, Burton, that great lover of scrappy outsiders, struggles to mine much beyond ponderous sincerity from these sluggish early scenes. Money is short and his last hope is the magical baby elephant tended to by damaged Great War veteran Holt Farrier (an oddly forgettable Colin Farrell) and his two willing kids, Milly (Nico Parker) and Joe (Finley Hobbins).īoth are grieving for their mum, providing an obvious connection with Dumbo when the baby elephant’s own mother is sold. Danny DeVito is pompous impresario Max Medici, whose travelling circus is going a bit ‘Grapes of Wrath’ in the dust bowls of the Midwest. The fact that you know the story of ‘Dumbo’ inside out presents a challenge that ‘Transformers’ screenwriter Ehren Kruger tries to overcome by introducing swathes of new human characters. Then again, maybe that’s the point: he is the least aerodynamic character to fly in a movie since Brian Blessed in ‘Flash Gordon’. It’s only when flying that he seems a bit clunky. All giant expressive eyes and beach-towel ears, he’s a computer-generated creation that exudes picture-book warmth. Let’s tackle the baby elephant in the room first: how does Disney’s new Dumbo look in a live-action movie? Happily, the teeny pachyderm is a suitably heart-melting presence in Tim Burton’s relatively orthodox redo of the 1941 animation classic. ![]()
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